Description
9500-MET
Sugal’s 3D METAL PRINTED SUPER GONZ III
The “NEW” Sugal’s 3D METAL PRINTED SUPER GONZ III Tenor Mouthpiece is a revolutionary material that emulates the tonality of Sugal’s famous CNC metal version.
Sugal’s 3D METAL PRINTED SUPER GONZ III proprietary metallic filament was developed to look and feel like a metal mouthpiece but without any of the overtones sounding nasal-or brittle .
It Produced from refined granulated powders of brass-copper and tin. One of the very first things one will notice is that the weight of the mouthpiece is 3.2x heavier than any other 3D printed mouthpiece in the market
Sugal’s 3D METAL PRINTED SUPER GONZ III is free blowing and ideal for the student as well as the professional saxophonist.
Sugal’s 3D METAL PRINTED SUPER GONZ III Players looking for that extra power, edge, and projection while at the same time can take advantage of the full dynamic range of instrument right up into the altissimo register
FEATURES :
Sugal’s 3D METAL PRINTED SUPER GONZ III allows for ease of play into the altissimo register. No special embouchure changes are required.
Sugal’s 3D METAL PRINTED SUPER GONZ III features fluted side walls, and a three-tier- step-down ridge inside the baffle to enhance air flow into the chamber.
All Sugal’s 3D METAL PRINTED SUPER GONZ III’s as well as other Sugal models are individually hand sanded, polished, finished to a semi-gloss texture and sanitized by G Sugal prior to shipping, thus maintaining the highest quality control possible
The Sugal 3D METAL PRINTED SUPER GONZ III is the mouthpiece of the future. It is truly a “work horse” mouthpiece, durable and designed to last for decades.
Sugal’s 3D METAL PRINTED SUPER GONZ III Designed to be aerodynamically comfortable and has “a substantial beefier” feeling when playing.
Sugal’s 3D METAL PRINTED SUPER GONZ III features the famous Sugal raised baffle ” thus allowing for a huge projecting sound with spot on intonation.
Sugal’s 3D PRINTED SUPER GONZ III has Sugal’s original machined rolled over styled “snow-hill” and parallel “mini-tracks” baffle Players find this model to be almost effortless to play requiring no back pressure to resonate.
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